The site opens to a portrait that drifts in slowly, then settles into a wordmark in italic Baskerville. Below it, two short passages - anchored left, then right - introduce the work without selling it.
The recordings sit in a quiet vertical list. Title, label, listen. The active track expands in place; the rest stay still. No carousels, no covers, no third-party embeds. The audio plays directly off the page.